Brother Francis, Brahmanic Order of Kristos-Lucifer-Wotan

“To give a face to the Beloved.”

“I sought divinity and I am at the Gates of Hell. Falling…I can still keep falling…Even through the flames, I must have a goal: There is a path to Heaven!”

He is Parzifal, sword in hand, and with the thought of the Beloved in his heart and mind, the only one to cure Amfortas, the Grail King.

Miguel Serrano says his entire opus is centred on the mystery of magic love with his own anima, in this Love Initiation of the Minnesänger.

There is a spiritual woman who calls us from what is not death. She may visit us, “reflecting” in a mortal woman and her love is the fruit of immortality.

The human being is a being whose nature is cleaved unconsciously, seeking to complete the lost unity or totality. When the hero falls precipitously to earth, he does so in one of the two halves or pairs of opposites that make the demiurgic world.

There is an animal love that results in children of the flesh, but there is a magic love from whose union the son of immortality arises. The power of love seeks the union of opposite pairs. The fruit of this union of opposite pairs, this union of the poles, is the element of life: So great is the power of love.

Through love man and woman seek to restore, regain life, the “lost unity”. Nevertheless, like profane love, vulgar love leads to procreation and the child of flesh, whereas magic love gives birth to the “Son of Man,” that is, the son of spirit and immortality.

Throughout this initiation the archetype of the anima is the Lady of the Castle. As such, she can visit more than once in one’s life, “constellating” herself to use the expression of Jung, with the appearance of a real woman.

Serrano makes a distinction between the archetype of the anima, which is female, equivalent to the soul of man, and the animus archetype, which is masculine and is the soul of woman. He equates this with the “Body of Desire”, or subtle etheric body, which in men is feminine and in women masculine.

Therefore man desires woman and woman desires man.

In this understanding the Lady of the Castle is more than an archetype; she is the She of He-She. And the King is the He of She-He.

He-She is the one searching for her and She-He is the one looking for him. The ultimate union, Miguel Serrano tells us (in NOS: Book of the Resurrection), shall not occur in the union of opposites or in the primordial Androgyne, but between He-She and She-He in the ultimate separation and in reunion in this separation. In the Resurrection this union shall be WE.

The initiation of A-Mor (no-death) was discovered by the first troubadour (trovare, “to find”), Wotan, who discovered the runes, crucified on the Tree of Terror. And Wotan, to complete immortalization, the Resurrection, needed Freya or Frigg, She-He.

The first call, the first awakening on the path is achieved with “the gaze”. The Lady of the Castle, the Domna, “gazes” profoundly at the “Chosen” from his innermost secret. This catches fire, alights, “constellating” within the archetype of the anima. They fall in love: he has seen the divine woman. In “the Divine Comedy” Beatrice “gazes” at Dante who is smitten with life and death.

Having been “gazed upon”, the adept is transformed into the Fenhedor or sighing one. Thus he takes his part with the flute of Pan playing the notes in his blood and he goes to the forest, the mountain, the cave sighing of A-Mor for his Beloved, until she hears him and takes pity on his suffering and she “visits” him.

When she appears to him he declares his feeling of A-Mor to her. Now the adept is the Precador or suppliant, and he proclaims his A-Mor to his Valkyrie, his Domna. The proclamation is an inviolable secret, only for two, because A-Mor never lasts once divulged and dispersed in words. Gods and Heroes love the secret.

The adept becomes an Entenedor, an unrequited lover, when she has lightly kissed him, scarcely placing her lips on his like the touch of a feather.

Then the adept understands that his nature is still ungainly and vulgar: He has not reached the level of such sublime love. This is the initiation of A-Mor which he must invigorate and transmute until the Beloved decides she has found him prepared for the great test of contemplating her naked.

For the Entenedor, the vision of the body of the woman is the supreme revelation of a Mystery collected at its core in the female form. He has been placed before a mirror where, with fright, he contemplates the form of his own soul, or his anima. This is the Memory and Nostalgia of the first union, before the partition of the Orphic Egg. It is the revelation of Paráklitos, the Cathar Dove.

From there follows “the test of Asag”. Dante says that “he who has set his foot there can never go back.” Doing so would be like committing suicide.

Asag consists in lying down naked in the same bed with his Beloved, spending the night there without touching her. We see here that Asag is chaste and belongs to the “Tantric “Right-Hand Path”.

In the “Tantrism of the Left-Hand Path”, in Maithuna, one physically takes the woman, but without ejaculating semen (Bundi), without orgasm initiated by the man, the Sadhaka; at least not physical orgasm. Instead of giving women an external son, Maithuna seeks to leave the man pregnant with an interior son, which is to say the man gives life to the Astral Body. The Astral Body is the Son of Death, Magic Death in this life so as to live beyond death. The “Son of Man”. Which is to say A-Mor, without death, immortality.

In the event of esoteric pregnancy, the initiate, thanks to a Priestess of A-Mor, a spiritual Valkyrie, or a Tantric yogini, can give birth to the Astral Body, his vehicle for Eternity, his Son of Death and Immortality.

Authors such as Julius Evola assert that in the present moment of Kali-Yuga the body is so materialised that no escape can be found without making use of one’s own materiality, which is to say practicing the Tantrism of the Left-Hand and Maithuna. The physical body lacks organs suitable for A-Mor and only has organs for reproduction and the creation of the sons of this life, of the flesh who in reality is the son of terrestrial death.

Physical vigour and health provide virtue and healthy manhood. This is essential for the power and self-control necessary to achieve the realization of Maithuna. The man who has declined and weakened his manhood is Amfortas, the Grail King who suffered so much and lost favour with the Grail. That is where chaos begins, obsession and sexual degeneration and where sooner or later mixing, impurity of the blood, miscegenation and Racial Sin occur. “And the commerce between the divine race, coming from other worlds, and the daughters of the animal-men.” (Miguel Serrano, “Adolf Hitler: The Ultimate Avatar”.)

Adolf Hitler was also called to follow the path of the Initiation of A-Mor. In the book “The Young Hitler I Knew”, August Kubizek reveals how the future Führer idealised Stephanie, a girl who he only “gazed upon” without ever saying a word. She was his own anima, perhaps the only one, though there may have been other “visits”.

Alchemy is also a Tantrism inherited from “Platonism”. It is the same as the Initiation of the Cathar Troubadours and the German Minnesänger. The soror mistica hands the metals to the alchemist for him to mix in the Atanor of his own soul until he reaches the alchemical gold, the “aurum potabile” that we drink and gives us eternal life. Without this hand contact with the “mystic sister”, without this penetration of feminine energy and vibration, the mutual transmutation is not possible, nor the Jungian process of individuation.

The woman is the custodian of the Grail Stone. She is the ancient Hyperborean priestess preserving the Sacred Fire and thus enables the Golden Band not to break while awaiting the new cycle of the Resurrection of the King. At times she sleeps in the middle of a forest at the base of a mountain or in the Tower of a castle waiting for the hero to waken from his trance. She is Shakti-Kundalini.

Miguel Serrano says that alchemy is a science from Second Hyperborea (after the fall) that tends to restore what was lost. According to an ancient tradition, the angels were glorious beings that inhabited this world coming from elsewhere. Then they mixed and decayed. Osiris torn to shreds would thus be an angel fallen against his will. Isis united with the angel obtains the alchemical wisdom of the Grail and preserves it to give to her son, born virtually (her animus), Horus, who will be the avenging hero who remakes Osiris (equivalent to Amfortas, the Grail King) and restores the Golden Kingdom, regenerating the Terre Gaste, making it fertile again. Here we see the Parzifal of the Grail Cycle is equivalent to the Horus of Egyptian tradition. Thus the Imperium of the Divine Dynasty is reconstitued, finally overcoming the Twilight of the Gods.

One must recover the the Tree of the Centre in the midst of the Terrestrial Paradise, conquer the Second Tree of Life (the second death), the Second Terrestrial Paradise. This leads to a tremendous conflict. It concerns healing a Sick King, dead and not dead, who must be restored. The metal is lead that must be transmuted into gold. It is the reconquest of the Golden Age. It is the Fifth Essence. Definitively this is the Grail, Total Man, the conquest of the Superman. Osiris resurrected. Amfortas restored.

To transmute lead into gold, it is necessary to add sulphur, which is fire and the divine Luciferian element. Sulphur is also the will that converts the blood into fire. The Lord of Absolute Will (the Führer) must achieve the regeneration of the Aryan. In alchemy arsenic or sulphur corresponds to virility.

By mobilizing virility we achieve pure will.

The opus alchimicum is the final product produced in the Atanor. Which is the Rebus, the Homunculus, the Androgyne, Shiva, the Astral Body, born to the alchemist thanks to his soror. He is He-She, He and She together. The astral body of the alchemist with the face of the soror as well as his own. He is the God with two faces.

Here we see the face of the Domna occurs in the anima (female) of the Minnesánger. Simultaneously the soror has married her own animus (masculine), giving the face of He. She is She-He, She and He reunited.

Thus we encounter an androgyne created alongside the son Horus, the Astral Body. This is he and she, He-She in the case of him and She-He in the case of her. Because the astral body only exists virtually, in potential. One must create it, invent it, in this mysterious process of alchemic A-Mor. The astral body is the androgyne that lives beyond the death of the physical body.

All this after going through the Nigredo, the dark black night of mystic death, the Albedo, or resurrection from this death and the Rubedo, the immortalization by means of red spiritual matter produced in the Green Thunderbolt.

The first mystery is fulfilled in the resurretion of the physical body, which is drawn to its resurrection by the astral body, as in a Chariot of Fire, as in a Vimana (since its shape has been made round) and it is carried beyond this world, like a black sun, through the door of Venus towards an extra-situation.

The second mystery is that in the resurrection and immortalisation of the alchemist, the immortalisation of the soror, or the Beloved, is produced as a consequence. Now there are two spheres, two androgynes, She-He and He-She, who love one another united and separated forever. Reunited in separation.

The third mystery is the mutation of the blood first produced in the veins of the astral body, later achieving the regeneration of the blood of the physical body of the vîra through the fiery vibration of sulphur, able to transmute the lead of Saturn into gold, into “aurum potabile”.

Published in: on September 2, 2014 at 4:01 am  Comments (3)  

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3 CommentsLeave a comment

  1. Truly marvellous, thankyou!

  2. This essay still needs a little more polishing, which I will do when I get the leisure but, together with the Green Thunderbolt and Diamond Path essays, it forms an ideal overview of the great Ehrean Holy Writs of Miguel Serrano. We are among the true literary heirs of Novalis, Wagner and Our Father in Valhalla.

  3. This short pithy essay just alligned a few strings in my mind, just working through the second edition of Manu, I can see now where I need to highlight certain points in the metaphysical constellations of our Cosmogony. Because I must not do what my previous name-sake did and that is to give a bloodless pyschologizing to a sacred mystery. I must consistantly return to NOS, like looking at a divine compass, to allign my position on the Diamond-hard Path to the Green Glass Star of Kalki….And I will say; “Do Not let this cup pass from me…I will drink it this cup of ruin to the dregs, for all the Lords of Valhalla will see.”

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